Toss Woollaston 1910-1988

Overview

Toss Woollaston (Sir Mountford Tosswill Woollaston) is a key figure in New Zealand’s history of 20th century art and has been lauded as the Cezanne of the Pacific. Before discovering painting, Woollaston’s early ambition was to write poetry. Beginning in 1928 he laboured as a horticultural worker in Nelson, prior to moving to Christchurch to study briefly at Canterbury College School of Art, and then to Dunedin School of Art in Otago, before eventually settling in Mapua. Woollaston was actively involved in critical and intellectual debates, notably in his exchange regarding the artist’s role in the context of fascism, with writer Winston Rhodes in the journal Tomorrow, established in 1934 to encourage and cultural debate and dialogue. While most recognised for his landscape paintings, Woollaston was also equally inspired by the human form and created many portraits, treating each subject with the same intensity in an attempt to capture a sense of truth and an immediacy of experience.   

Works
  • Toss Woollaston, Auckland with Harbour Bridge, 1990
    Auckland with Harbour Bridge, 1990
  • Toss Woollaston, Brownacre, 1996
    Brownacre, 1996
  • Toss Woollaston, Black Stephen, 1993
    Black Stephen, 1993
  • Toss Woollaston, Brownacre, 1993
    Brownacre, 1993
  • Toss Woollaston, Mount Malita, 1992
    Mount Malita, 1992
  • Toss Woollaston, Shed Upper Moutere With Ben Nevis, c. 1995
    Shed Upper Moutere With Ben Nevis, c. 1995
  • Toss Woollaston, Untitled [Landscape] (3), n.d.
    Untitled [Landscape] (3), n.d.
  • Toss Woollaston, Untitled [Landscape] (5), n.d.
    Untitled [Landscape] (5), n.d.
  • Toss Woollaston, Untitled [Nude in Chair] (2), n.d.
    Untitled [Nude in Chair] (2), n.d.
  • Toss Woollaston, Untitled [Portrait of a Man], n.d.
    Untitled [Portrait of a Man], n.d.
  • Toss Woollaston, Untitled [Portrait of Stephen Lockett], 1992
    Untitled [Portrait of Stephen Lockett], 1992
  • Toss Woollaston, View from Mahana, n.d.
    View from Mahana, n.d.
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